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inside voice harvester
Irene Rose, Melbourne
27th February - 24th March, 2018
Press: Daily Lazy
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strewn inside-voice harvest
strewn amongst ruins, inside voice, harvest
Response unit
Tone harvest
Voice harvest
Animals, minerals, vegetables; with ensnared and tacit approval witholding brazen smile, un-nuanced quality-unridden, fullness of mead, crosshatched fruit horn of Plentylife drawing.
staggered falsetto in a silent mind as to the thought of dinner table silence
The contents of a bountiful harvest are strewn in ruins and no words are spoken
inside voice harvester is a selection of works… imprecision, faltering or wavering control system, an intentionality, skill and interiority-self undulate, certain tonal, silent quality; strategem of control and essence of rejection, withholding or refrained, self-imposed limitations
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inside voice harvester, installation view, 2018
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Kate Meakin
Starry Night, 2018
Roll of jersey, deck chair, replica ‘Ghost Chair’, vintage brass lamp, plastic decoy ducks, LED fairy lights, antique lace
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Kate Meakin
Starry Night (detail), 2018
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Kate Meakin
Starry Night (detail), 2018
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Kate Meakin
Starry Night (detail), 2018
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Guy Church
The Great Outside World, 2017
Graphite on paper, 42 x 33cm
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inside voice harvester, installation view, 2018
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Rebecca Joseph
spectacle in 2 parts, 2018
Stoneware, metal
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Tim Bučković
Hrvatski šahovski savez, 2018
Oil on linen, 41 x 25.5 cm
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inside voice harvester, installation view, 2018
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Liz Magic Laser
Mine, 2009
Single-channel video, 22 minutes. Produced with the Leonardo da Vinci surgical system
Liz Magic Laser
Mine (excerpt), 2009
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Elizabeth Newman
Self-portrait, 2010
Found objects
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Elizabeth Newman
1988, 2010
Found objects
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inside voice harvester, installation view
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Tim Bučković
surrounding situation with dancers, 2018
Graphite on butcher’s paper, 61 x 49cm
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inside voice harvester, installation view
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inside voice harvester, installation view
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Victoria Todorov
Duck l’Orange, 2017
Polyresin duck, engraving, gouache, oil, dried pastel, acrylic paints
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Michelle Uckotter
your only visitor, 2017
Oil pastel on panel
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inside voice harvester, installation view
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Victoria Todorov
They Prefer A Dunce Than Someone Who Make Moves, Make Us, 2017
Acrylic on canvas
Documentation courtesy of Reuben Bull-Milne
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